![]() On the curved walls, reminiscent of those in traditional Ghanaian homes, are hung an array of paintings and photos by artists like Ibrahim Mahama and Felicia Abban. The pavilion is dubbed ‘Ghana Freedom’ and Adjaye pays careful attention to details - from the material (earth from Ghana) to architectural styles. Ghana’s debut pavilion, designed by the highly-acclaimed architect Sir David Adjaye, should be admired as work of art alone. It is, perhaps, a pointed statement of the unpredictable on-goings of the trade war between China and the US. Random blasts of pressurised air are fed through the chair, leaving the hose to whip around violently and threatening to break apart the barrier. ![]() #DEAR SUN YUAN CRACKED#‘Dear’ sees a white silicon chair (reminiscent of the one in the seated Abraham Lincoln statue from Washington) fitted with a thin rubber hose, displayed behind a cracked up plexiglass barrier. This year, at the China Pavilion, they are not disappointing audiences. The anthropological study continues on with sculptures made from reassembled parts of the recorder as well as paper art made from music manuscripts.īeijing-based artists Sun Yuan and Peng Yu have made a name for their provocative and confrontational works. This centres on Recorder Rewrite, a three-video installation of children playing the recorder in various locations at the Singapore Conference Hall. Artist Song-Ming Ang, together with curator Michelle Ho, constructed the exhibition as a multi-medium showcase. 1974, Heilongjiang/China, studied at Central Academy of Fine Arts Beijing), both based in Beijing, create objects, installations and shocking performances with animal and human corpses. This year’s centrepiece for the Singapore Pavilion takes cues from government campaigns to introduce culture and music to Singaporeans in the 1970s. 1972, Beijing/China, studied at Central Academy of Fine Arts Beijing) and his wife Peng Yu (b.
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